Having only seen one trailer to this movie, I can’t say that I’m excited to see it, but there was a clear mix of moments that made me laugh and moments that made me squirm. Getting bitch-slapped with a tortilla; that was kinda funny. But then turn right around with a cop threatening to beat a guy with a dildo… yup, a lot of this humor isn’t out-of-the-box. But like I said, it’s a mixed bag as of now. I haven’t seen it yet, so I’ll reserve judgment.

Here’s the cast. Starring, we have Eugenio Derbez (MIRACLES FROM HEAVEN [2015], THE BOOK OF LIFE [2014], PLEDGE THIS! [2006], and the upcoming… wait, seriously, SPEEDY GONZALEZ? Really? It’s due out… who knows when) and SALMA HAYEK (SAUSAGE PARTY [2016], GROWN UPS 2 [2013], CIRQUE DU FREAK: THE VAMPIRE’S ASSISTANT [2009], and the upcoming THE HITMAN’S BODYGUARD [2017]). In support, we have Kristen Bell (CHIPS [2017], BAD MOMS [2016], TV show HOUSE OF LIES, and the upcoming FROZEN 2 [2019]), Rob Lowe (MONSTER TRUCKS [2017], THE INVENTION OF LYING [2009], TV show PARK AND REC, and the upcoming SUPER TROOPERS 2 [2018]), Mckenna Grace (GIFTED [2017], THE ANGRY BIRDS MOVIE [2016], TV show ONCE UPON A TIME, and the upcoming AMITYVILLE: THE AWAKENING [2017]), Raquel Welch (LEGALLY BLONDE [2001], BEDAZZLED [1967], and ONE MILLION YEARS B.C. [1966]), and Raphael Alejandro (KINDERGARTEN COP 2 [2016] and TV show ONCE UPON A TIME).

Now for the crew. Directing is Ken Marino, known for CHILDREN’S HOSPITAL, TROPHY WIFE, and BURNING LOVE. Co-writing the script is Chris Spain and Jon Zack. Spain is making his feature-film debut. Congrats, sir. Zack is known for stuff I’ve never heard of. Composing the score is Craig Wedren, known for WANDERLUST (2012), SCHOOL OF ROCK (2003), and TV show DON’T TRUST THE B—- IN APARTMENT 23. Finally, the cinematographer is John Bailey, known for THE WAY WAY BACK (2013), RAMONA AND BEEZUS (2010), and GROUNDHOG DAY (1993).

Overall, I’m pretty hesitant to go in with high expectations… so I’m not, but I’m hoping for enough funny moments to make it okay. I’ll accept “okay.”

This is my honest opinion of: HOW TO BE A LATIN LOVER


Maximo (Eugenio Derbez) has spent a couple decades trying to be a gold digger. He’s married to a wealthy older woman, hoping to inherit her fortune. Unfortunately, she has an affair on him and kicks him out of the house. In hopes of getting with another woman of similar wealth, he tries to rekindle his relationship with his sister, Sara (Salma Hayek), and his nephew Hugo (Raphael Alejandro).


This may be a slightly difficult to review as I was very drunk throughout most of the movie, but I will do what I can to do what I do. I thought this was the best movie out of the week, but that’s not saying much. It’s still not very good.

Let’s get the positives out of the way. The humor isn’t as immature as it could have been. When you go into this movie, what kind of humor would you expect? Old people who think they’re sexy jokes. While you do get more than a few shots of Derbez in a speedo, I feel like it could have been too easy to make even cruder humor. Granted, it’s PG-13, so the worst of the humor that could have come out of it would have been limited by nature, I still give props for no pride-in-dick-size jokes, or accidental nudity when diving into a pool, all of these are admirably not there. The acting isn’t awful, the physicality and effort to make some of these jokes work is there and there is a likability to the supporting characters.

However, that paragraph is all the good I can say about it.

The main problem with this comedy is that the comedy isn’t very comedic. The trailer showed off the best jokes and I can only laugh at passably humorous jokes so many times. I laughed at Sara smacking Maximo with a tortilla during the trailer. I kinda laughed when Lowe’s character shouted, “I will shoot you in the lorax!” But the rest of the film is pretty dry and tries too hard. There’s a scene where Maximo is trying to seduce Celeste (Raquel Welch) at the same time as Lowe’s character, and they both accidentally rip off her prosthetic arms (this was previously established). But I swear there are scenes there it’s obvious that her arms are flesh and blood. But let’s pretend it’s cleverly hidden, it’s still not surprising that the joke this builds up to is that both arms get ripped off. Some jokes are even confusing. You can find this bit in the trailer. It shows Maximo teaching Hugo how to walk like a sexy man and says, “You want the ladies to think ‘he must be great in bed’.” Then Hugo says, “I’m good in bed!” Maximo looks at him in shock, to which Hugo says, “I don’t wet the bed or anything anymore.” Maximo already said something inappropriate for a child to hear, with confidence no less. So when the kid says something equally inappropriate, albeit a double entendre, why is Maximo surprised by the comment? There’s a potential good joke in there, but it wasn’t executed well.

Even the very story isn’t original. In fact, I wouldn’t be surprised if every sitcom that has ever existed has dedicated at least one episode on what this movie’s subplots are: a hopeless romantic who thinks they’re one of the greatest lovers tries to teach a kid to be as perfect and suave as them, only to give them horrible advice that backfires and humiliates them. And despite Derbez’s best efforts, Maximo as a whole isn’t the most likable character to grace comedy. He is very apathetic toward Hugo when he meets up with Sara in the beginning, and even forgets his name. Yes, Maximo is a lazy bum who wants the easy and carefree life of a rich person without a care in the world, I get that. But how does that translate to never keeping in touch with family or not taking pride in having a nephew?

And if we’re being completely honest here, I don’t think there was any reason for Kristen Bell to be in this movie. She’s literally just an ice cream employee who eventually takes in Maximo after he gets into a fight with Sara and gets kicked out of her home. It’s a nothing role that I feel like was written in just to make Bell a crazy cat lady. It makes little to no sense to have her talent wasted here. And speaking of wasted talent… how dare this movie underutilize McKenna Grace. That girl is way too charming and talented to be some boy’s romantic interest. I pox on you, creators!

I can’t say this is an insulting movie, and there is a solid attempt to make the bad jokes work, but at the end of the day, the jokes are still bad. Though the crude humor isn’t needlessly over-the-top, it’s still crude and mostly not funny, and this story has been done to death with nothing new or fresh to add. It’ll be quickly forgotten by the masses and fade out into obscurity before we know it. I don’t recommend this in theaters or as a rental. I won’t say to run away from it, but I don’t think it’s worth the money or time.

My honest rating for HOW TO BE A LATIN LOVER: a weak 3/5


14 Replies to “HOW TO BE A LATIN LOVER review”

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