Well I guess this was somewhat inevitable. What with the mixed bag that was the live-action remake, I guess someone wanted to save a little face. Can’t blame ’em, really.
In any case, wow, considering how many times I go to the cinemas, I don’t know if I ever expected this to ever make a reappearance. Am I utterly shocked? No, but I am pleasantly surprised. Is it some kind of anniversary? I don’t know. All I know is, I was two years old when this was released in theaters, hence, I never got the chance to see it on the big screen. Now I get that opportunity and I intend to take full advantage.
I wager most people know the back story behind this film, but for those few that don’t, I’ll do it for their knowledge. The story of Beauty and the Beast was originally a French fairy tale novel way back since 1740. Version after version exists, even today, but many consider the 1991 Disney classic to be the most popular version and for good reason. In fact, it was so good for it’s time, it was nominated for Best Picture at the Oscars. Not “Best Animated Film,” no, Best… Picture. Wrap your mind around that, y’all. Best Animation didn’t even exist yet. That’s a serious testament to Disney and it’s criminal that animated films don’t get that kind of recognition from award ceremonies of that caliber anymore. Criminal, if you ask me. While I can’t say where this movie falls in my list of “favorite Disney films.” Before seeing the live-action remake this year, I can’t say that I remembered much about the original. But I do remember this being significantly more impressive than the remake.
Here’s the voice talent. Starring, we have Paige O’Hara (ENCHANTED , and the upcoming RALPH BREAKS THE INTERNET: WRECK-IT RALPH 2 ) and Robby Benson (stuff I’ve either never seen or heard of).
In support, we have Richard White (stuff I’ve either never seen or heard of), Jesse Corti (ZOOTOPIA  and FROZEN ), Rex Everhart (SUPERMAN ), Bradley Pierce (THE BORROWERS  and JUMANJI ), and Angela Lansbury (THE MANCHURIAN CANDIDATE , and the upcoming MARY POPPINS RETURNS ).
Now for the crew. Co-directing, we have Gary Trousdale and Kirk Wise, both known for ATLANTIS: THE LOST EMPIRE (2001) and THE HUNCHBACK OF NOTRE DAME (1996). Penning the screenplay is Linda Woolverton, known for ALICE THROUGH THE LOOKING GLASS (2016), THE LION KING (1994), and TV show DENNIS THE MENACE (1986 – 1988). Finally, the composer is Alan Menken, known for BEAUTY AND THE BEAST (2017), SAUSAGE PARTY (2016), THE LITTLE MERMAID (1989), and upcoming films ALADDIN (2019) and THE LITTLE MERMAID, no release date announced.
Overall, I’m pretty excited for this. It’s been years since I’ve seen it, or… just a few months, depending on how much of this the remake copied and pasted.
This is my honest opinion of the tale as old as time: BEAUTY AND THE BEAST (1991)
Long ago, the cruel prince of a castle was turned into a beast (voiced by Robby Benson) for his actions. The only way to break his curse is if he falls in love and that love is returned before his enchanted rose’s petals all break off. But he became reclusive and has since faded from memory. Today, Belle (voiced by Paige O’Hara) lives in a small village as an outcast who loves to read. One day, her inventor father Maurice (voiced by Rex Everhart) ventures off into the woods, but gets horribly lost. Evading a pack of rabid wolves, he seeks shelter in the very castle the beast resides in, resulting in angering the beast and locking him away. Belle learns of this and sets out to find her father, agreeing to take his place as the beast’s prisoner and the two grow to realize that there’s more to each other than their initial impressions.
While some aspects of the story and characters don’t quite hold up for me as an adult, this is still one of the most beautifully animated Disney films of its era and arguably of all time.
Let’s start with what doesn’t work for me, since I’m sure people are hanging on that statement more than anything, and I admit thoroughly that I shouldn’t be so critical of a kids fairy tale movie, but this was nominated for Best Picture at the Oscars, so… I’ma be critical. I feel like Beast is a bit bipolar, or he’s built up inconsistently. The whole point of his backstory is that he was a jerk. He was above everyone, hence turning away the old woman slash beautiful enchantress. When he’s finally revealed, he’s a jerk to Maurice, who only wanted shelter from the storm and wolves. He couldn’t be more sensible and just send him on his way? Locking him in the dungeon was the only logical conclusion? Maybe if Maurice did something a little more insulting or careless, like broke an old vase of sentimental value, then his reaction would be understandable. As is, it’s just really forcing that he’s a grade-A jerkwad.
But this could be a small problem if the rest of his intro to everyone was consistent. When Belle shows up, he’s a jerk to her too. But once the prisoner exchange is completed, the pacing of his hospitality is rushed like a mofo. As soon as Maurice is gone, Lumiere manages to convince Beast rather easily and no effort to give her a nice room. How? She’s a prisoner? Prisoners aren’t treated with this much… respect. And after putting her in the room, he not only admits that she’s beautiful, which fine, comments on a person’s looks can be pointed out rather cheaply, but trying to make a good first impression at dinner? At the dinner table? Someone explain why this is. I doubt Maurice was going to get the full buffet option. I feel like more time should have been spent developing his softness toward Belle and letting her eat like a civilized person. Granted, this could have extended the movie’s runtime an extra ten minutes, but it would have felt more realistic. Weird how I’m saying that about a fantasy story involving a person with a bison’s head, but I stand by it.
Also, the west wing fiasco. First off, instead of simply telling Belle that “it’s forbidden,” how about lying. Say something like… it’s his deceased family’s private quarters. Rare treasures, priceless stuff, which kind of happens to be the case anyway, so she has more incentive to respect his wishes to stay out of there. By that point, if Belle went in that wing with that foreknowledge, then she’d be an inconsiderate jerk as well and just poking around taking advantage of her jailer’s hospitality. This could also apply to Lumiere and Cogsworth when giving her the tour of the castle, giving a proper excuse of what’s up there. Of course when you say that there’s nothing up there, the curiosity will set in and she’ll sneak up there.
And why isn’t the room with the enchanted rose locked? You’d think with strangers in the castle who is free to mosey about as she pleases would take a little extra precautions. Of course, you could always argue that it wasn’t locked because he was technically already in the room. So… fair enough.
Oh, and Chip’s kind of annoying.
Summed up, I think the pacing from Belle’s arrival to the castle and the wolf attack after she runs away is all pretty rushed and not handled very well. Some more time with the characters and their motivations and emotions, and smarter writing would have been appreciated.
But enough of the bashing. Time to gush.
This is arguably one of Disney’s most gorgeous films. I don’t think it was their first foray into this, but the incorporation of both hand-drawn animation and computer effects was in perfect taste. It was a beautiful prelude to where Disney would eventually go, arguably making this more impressive than their current products. Not that I’m ragging on the 3D animated style of TANGLED (2010) and everything after, I like the current films just fine, but there’s something special about hand-drawn animation and such a shame that the market for it is considered irrelevant. I wish Disney would still make one once in awhile for old times sake. But this is the direction they’ve gone in and it’s not at all bad, so I’m not complaining too much. It’s still Disney.
By the way, “Be Our Guest” is still breathtaking to look at and certainly leaves a bigger impression than the remake. Same goes for the climactic fight scene on the castle rooftops, and between the villagers and the servants. I will never stop cringing at the ax dude getting bashed in the face by the drawers. Ouch…
What else is there? I think Beast is much more impressive here than the remake. Perhaps it’s a testament to Benson’s voice, but I felt like Beasts voice has such range from being goofy, threatening, and compassionate. I look back on the remake, and while I maintain that Beast is still impressive to look at in live-action, he’s far more expressive in this and leaves a bigger impact.
Overall, this movie really takes me back and I’m so grateful to have the opportunity to watch this in theaters. I don’t pretend to know why Disney is re-releasing their classics on the big screen, and I don’t much care. Reliving them is a wonderful experience and I encourage everyone to do the same. This film may not be my favorite Disney outing, but it’s undeniably one of their best.
My honest rating for BEAUTY AND THE BEAST (1991): 4/5